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-@chapter Encoders
-@c man begin ENCODERS
-
-Encoders are configured elements in FFmpeg which allow the encoding of
-multimedia streams.
-
-When you configure your FFmpeg build, all the supported native encoders
-are enabled by default. Encoders requiring an external library must be enabled
-manually via the corresponding @code{--enable-lib} option. You can list all
-available encoders using the configure option @code{--list-encoders}.
-
-You can disable all the encoders with the configure option
-@code{--disable-encoders} and selectively enable / disable single encoders
-with the options @code{--enable-encoder=@var{ENCODER}} /
-@code{--disable-encoder=@var{ENCODER}}.
-
-The option @code{-codecs} of the ff* tools will display the list of
-enabled encoders.
-
-@c man end ENCODERS
-
-@chapter Audio Encoders
-@c man begin AUDIO ENCODERS
-
-A description of some of the currently available audio encoders
-follows.
-
-@section ac3 and ac3_fixed
-
-AC-3 audio encoders.
-
-These encoders implement part of ATSC A/52:2010 and ETSI TS 102 366, as well as
-the undocumented RealAudio 3 (a.k.a. dnet).
-
-The @var{ac3} encoder uses floating-point math, while the @var{ac3_fixed}
-encoder only uses fixed-point integer math. This does not mean that one is
-always faster, just that one or the other may be better suited to a
-particular system. The floating-point encoder will generally produce better
-quality audio for a given bitrate. The @var{ac3_fixed} encoder is not the
-default codec for any of the output formats, so it must be specified explicitly
-using the option @code{-acodec ac3_fixed} in order to use it.
-
-@subsection AC-3 Metadata
-
-The AC-3 metadata options are used to set parameters that describe the audio,
-but in most cases do not affect the audio encoding itself. Some of the options
-do directly affect or influence the decoding and playback of the resulting
-bitstream, while others are just for informational purposes. A few of the
-options will add bits to the output stream that could otherwise be used for
-audio data, and will thus affect the quality of the output. Those will be
-indicated accordingly with a note in the option list below.
-
-These parameters are described in detail in several publicly-available
-documents.
-@itemize
-@item @uref{http://www.atsc.org/cms/standards/a_52-2010.pdf,A/52:2010 - Digital Audio Compression (AC-3) (E-AC-3) Standard}
-@item @uref{http://www.atsc.org/cms/standards/a_54a_with_corr_1.pdf,A/54 - Guide to the Use of the ATSC Digital Television Standard}
-@item @uref{http://www.dolby.com/uploadedFiles/zz-_Shared_Assets/English_PDFs/Professional/18_Metadata.Guide.pdf,Dolby Metadata Guide}
-@item @uref{http://www.dolby.com/uploadedFiles/zz-_Shared_Assets/English_PDFs/Professional/46_DDEncodingGuidelines.pdf,Dolby Digital Professional Encoding Guidelines}
-@end itemize
-
-@subsubsection Metadata Control Options
-
-@table @option
-
-@item -per_frame_metadata @var{boolean}
-Allow Per-Frame Metadata. Specifies if the encoder should check for changing
-metadata for each frame.
-@table @option
-@item 0
-The metadata values set at initialization will be used for every frame in the
-stream. (default)
-@item 1
-Metadata values can be changed before encoding each frame.
-@end table
-
-@end table
-
-@subsubsection Downmix Levels
-
-@table @option
-
-@item -center_mixlev @var{level}
-Center Mix Level. The amount of gain the decoder should apply to the center
-channel when downmixing to stereo. This field will only be written to the
-bitstream if a center channel is present. The value is specified as a scale
-factor. There are 3 valid values:
-@table @option
-@item 0.707
-Apply -3dB gain
-@item 0.595
-Apply -4.5dB gain (default)
-@item 0.500
-Apply -6dB gain
-@end table
-
-@item -surround_mixlev @var{level}
-Surround Mix Level. The amount of gain the decoder should apply to the surround
-channel(s) when downmixing to stereo. This field will only be written to the
-bitstream if one or more surround channels are present. The value is specified
-as a scale factor. There are 3 valid values:
-@table @option
-@item 0.707
-Apply -3dB gain
-@item 0.500
-Apply -6dB gain (default)
-@item 0.000
-Silence Surround Channel(s)
-@end table
-
-@end table
-
-@subsubsection Audio Production Information
-Audio Production Information is optional information describing the mixing
-environment. Either none or both of the fields are written to the bitstream.
-
-@table @option
-
-@item -mixing_level @var{number}
-Mixing Level. Specifies peak sound pressure level (SPL) in the production
-environment when the mix was mastered. Valid values are 80 to 111, or -1 for
-unknown or not indicated. The default value is -1, but that value cannot be
-used if the Audio Production Information is written to the bitstream. Therefore,
-if the @code{room_type} option is not the default value, the @code{mixing_level}
-option must not be -1.
-
-@item -room_type @var{type}
-Room Type. Describes the equalization used during the final mixing session at
-the studio or on the dubbing stage. A large room is a dubbing stage with the
-industry standard X-curve equalization; a small room has flat equalization.
-This field will not be written to the bitstream if both the @code{mixing_level}
-option and the @code{room_type} option have the default values.
-@table @option
-@item 0
-@itemx notindicated
-Not Indicated (default)
-@item 1
-@itemx large
-Large Room
-@item 2
-@itemx small
-Small Room
-@end table
-
-@end table
-
-@subsubsection Other Metadata Options
-
-@table @option
-
-@item -copyright @var{boolean}
-Copyright Indicator. Specifies whether a copyright exists for this audio.
-@table @option
-@item 0
-@itemx off
-No Copyright Exists (default)
-@item 1
-@itemx on
-Copyright Exists
-@end table
-
-@item -dialnorm @var{value}
-Dialogue Normalization. Indicates how far the average dialogue level of the
-program is below digital 100% full scale (0 dBFS). This parameter determines a
-level shift during audio reproduction that sets the average volume of the
-dialogue to a preset level. The goal is to match volume level between program
-sources. A value of -31dB will result in no volume level change, relative to
-the source volume, during audio reproduction. Valid values are whole numbers in
-the range -31 to -1, with -31 being the default.
-
-@item -dsur_mode @var{mode}
-Dolby Surround Mode. Specifies whether the stereo signal uses Dolby Surround
-(Pro Logic). This field will only be written to the bitstream if the audio
-stream is stereo. Using this option does @b{NOT} mean the encoder will actually
-apply Dolby Surround processing.
-@table @option
-@item 0
-@itemx notindicated
-Not Indicated (default)
-@item 1
-@itemx off
-Not Dolby Surround Encoded
-@item 2
-@itemx on
-Dolby Surround Encoded
-@end table
-
-@item -original @var{boolean}
-Original Bit Stream Indicator. Specifies whether this audio is from the
-original source and not a copy.
-@table @option
-@item 0
-@itemx off
-Not Original Source
-@item 1
-@itemx on
-Original Source (default)
-@end table
-
-@end table
-
-@subsection Extended Bitstream Information
-The extended bitstream options are part of the Alternate Bit Stream Syntax as
-specified in Annex D of the A/52:2010 standard. It is grouped into 2 parts.
-If any one parameter in a group is specified, all values in that group will be
-written to the bitstream. Default values are used for those that are written
-but have not been specified. If the mixing levels are written, the decoder
-will use these values instead of the ones specified in the @code{center_mixlev}
-and @code{surround_mixlev} options if it supports the Alternate Bit Stream
-Syntax.
-
-@subsubsection Extended Bitstream Information - Part 1
-
-@table @option
-
-@item -dmix_mode @var{mode}
-Preferred Stereo Downmix Mode. Allows the user to select either Lt/Rt
-(Dolby Surround) or Lo/Ro (normal stereo) as the preferred stereo downmix mode.
-@table @option
-@item 0
-@itemx notindicated
-Not Indicated (default)
-@item 1
-@itemx ltrt
-Lt/Rt Downmix Preferred
-@item 2
-@itemx loro
-Lo/Ro Downmix Preferred
-@end table
-
-@item -ltrt_cmixlev @var{level}
-Lt/Rt Center Mix Level. The amount of gain the decoder should apply to the
-center channel when downmixing to stereo in Lt/Rt mode.
-@table @option
-@item 1.414
-Apply +3dB gain
-@item 1.189
-Apply +1.5dB gain
-@item 1.000
-Apply 0dB gain
-@item 0.841
-Apply -1.5dB gain
-@item 0.707
-Apply -3.0dB gain
-@item 0.595
-Apply -4.5dB gain (default)
-@item 0.500
-Apply -6.0dB gain
-@item 0.000
-Silence Center Channel
-@end table
-
-@item -ltrt_surmixlev @var{level}
-Lt/Rt Surround Mix Level. The amount of gain the decoder should apply to the
-surround channel(s) when downmixing to stereo in Lt/Rt mode.
-@table @option
-@item 0.841
-Apply -1.5dB gain
-@item 0.707
-Apply -3.0dB gain
-@item 0.595
-Apply -4.5dB gain
-@item 0.500
-Apply -6.0dB gain (default)
-@item 0.000
-Silence Surround Channel(s)
-@end table
-
-@item -loro_cmixlev @var{level}
-Lo/Ro Center Mix Level. The amount of gain the decoder should apply to the
-center channel when downmixing to stereo in Lo/Ro mode.
-@table @option
-@item 1.414
-Apply +3dB gain
-@item 1.189
-Apply +1.5dB gain
-@item 1.000
-Apply 0dB gain
-@item 0.841
-Apply -1.5dB gain
-@item 0.707
-Apply -3.0dB gain
-@item 0.595
-Apply -4.5dB gain (default)
-@item 0.500
-Apply -6.0dB gain
-@item 0.000
-Silence Center Channel
-@end table
-
-@item -loro_surmixlev @var{level}
-Lo/Ro Surround Mix Level. The amount of gain the decoder should apply to the
-surround channel(s) when downmixing to stereo in Lo/Ro mode.
-@table @option
-@item 0.841
-Apply -1.5dB gain
-@item 0.707
-Apply -3.0dB gain
-@item 0.595
-Apply -4.5dB gain
-@item 0.500
-Apply -6.0dB gain (default)
-@item 0.000
-Silence Surround Channel(s)
-@end table
-
-@end table
-
-@subsubsection Extended Bitstream Information - Part 2
-
-@table @option
-
-@item -dsurex_mode @var{mode}
-Dolby Surround EX Mode. Indicates whether the stream uses Dolby Surround EX
-(7.1 matrixed to 5.1). Using this option does @b{NOT} mean the encoder will actually
-apply Dolby Surround EX processing.
-@table @option
-@item 0
-@itemx notindicated
-Not Indicated (default)
-@item 1
-@itemx on
-Dolby Surround EX Off
-@item 2
-@itemx off
-Dolby Surround EX On
-@end table
-
-@item -dheadphone_mode @var{mode}
-Dolby Headphone Mode. Indicates whether the stream uses Dolby Headphone
-encoding (multi-channel matrixed to 2.0 for use with headphones). Using this
-option does @b{NOT} mean the encoder will actually apply Dolby Headphone
-processing.
-@table @option
-@item 0
-@itemx notindicated
-Not Indicated (default)
-@item 1
-@itemx on
-Dolby Headphone Off
-@item 2
-@itemx off
-Dolby Headphone On
-@end table
-
-@item -ad_conv_type @var{type}
-A/D Converter Type. Indicates whether the audio has passed through HDCD A/D
-conversion.
-@table @option
-@item 0
-@itemx standard
-Standard A/D Converter (default)
-@item 1
-@itemx hdcd
-HDCD A/D Converter
-@end table
-
-@end table
-
-@subsection Other AC-3 Encoding Options
-
-@table @option
-
-@item -stereo_rematrixing @var{boolean}
-Stereo Rematrixing. Enables/Disables use of rematrixing for stereo input. This
-is an optional AC-3 feature that increases quality by selectively encoding
-the left/right channels as mid/side. This option is enabled by default, and it
-is highly recommended that it be left as enabled except for testing purposes.
-
-@end table
-
-@subsection Floating-Point-Only AC-3 Encoding Options
-
-These options are only valid for the floating-point encoder and do not exist
-for the fixed-point encoder due to the corresponding features not being
-implemented in fixed-point.
-
-@table @option
-
-@item -channel_coupling @var{boolean}
-Enables/Disables use of channel coupling, which is an optional AC-3 feature
-that increases quality by combining high frequency information from multiple
-channels into a single channel. The per-channel high frequency information is
-sent with less accuracy in both the frequency and time domains. This allows
-more bits to be used for lower frequencies while preserving enough information
-to reconstruct the high frequencies. This option is enabled by default for the
-floating-point encoder and should generally be left as enabled except for
-testing purposes or to increase encoding speed.
-@table @option
-@item -1
-@itemx auto
-Selected by Encoder (default)
-@item 0
-@itemx off
-Disable Channel Coupling
-@item 1
-@itemx on
-Enable Channel Coupling
-@end table
-
-@item -cpl_start_band @var{number}
-Coupling Start Band. Sets the channel coupling start band, from 1 to 15. If a
-value higher than the bandwidth is used, it will be reduced to 1 less than the
-coupling end band. If @var{auto} is used, the start band will be determined by
-the encoder based on the bit rate, sample rate, and channel layout. This option
-has no effect if channel coupling is disabled.
-@table @option
-@item -1
-@itemx auto
-Selected by Encoder (default)
-@end table
-
-@end table
-
-@c man end AUDIO ENCODERS
-
-@chapter Video Encoders
-@c man begin VIDEO ENCODERS
-
-A description of some of the currently available video encoders
-follows.
-
-@section libtheora
-
-Theora format supported through libtheora.
-
-Requires the presence of the libtheora headers and library during
-configuration. You need to explicitly configure the build with
-@code{--enable-libtheora}.
-
-@subsection Options
-
-The following global options are mapped to internal libtheora options
-which affect the quality and the bitrate of the encoded stream.
-
-@table @option
-@item b
-Set the video bitrate, only works if the @code{qscale} flag in
-@option{flags} is not enabled.
-
-@item flags
-Used to enable constant quality mode encoding through the
-@option{qscale} flag, and to enable the @code{pass1} and @code{pass2}
-modes.
-
-@item g
-Set the GOP size.
-
-@item global_quality
-Set the global quality in lambda units, only works if the
-@code{qscale} flag in @option{flags} is enabled. The value is clipped
-in the [0 - 10*@code{FF_QP2LAMBDA}] range, and then multiplied for 6.3
-to get a value in the native libtheora range [0-63]. A higher value
-corresponds to a higher quality.
-
-For example, to set maximum constant quality encoding with
-@command{ffmpeg}:
-@example
-ffmpeg -i INPUT -flags:v qscale -global_quality:v "10*QP2LAMBDA" -codec:v libtheora OUTPUT.ogg
-@end example
-@end table
-
-@section libvpx
-
-VP8 format supported through libvpx.
-
-Requires the presence of the libvpx headers and library during configuration.
-You need to explicitly configure the build with @code{--enable-libvpx}.
-
-@subsection Options
-
-Mapping from FFmpeg to libvpx options with conversion notes in parentheses.
-
-@table @option
-
-@item threads
-g_threads
-
-@item profile
-g_profile
-
-@item vb
-rc_target_bitrate
-
-@item g
-kf_max_dist
-
-@item keyint_min
-kf_min_dist
-
-@item qmin
-rc_min_quantizer
-
-@item qmax
-rc_max_quantizer
-
-@item bufsize, vb
-rc_buf_sz
-@code{(bufsize * 1000 / vb)}
-
-rc_buf_optimal_sz
-@code{(bufsize * 1000 / vb * 5 / 6)}
-
-@item rc_init_occupancy, vb
-rc_buf_initial_sz
-@code{(rc_init_occupancy * 1000 / vb)}
-
-@item rc_buffer_aggressivity
-rc_undershoot_pct
-
-@item skip_threshold
-rc_dropframe_thresh
-
-@item qcomp
-rc_2pass_vbr_bias_pct
-
-@item maxrate, vb
-rc_2pass_vbr_maxsection_pct
-@code{(maxrate * 100 / vb)}
-
-@item minrate, vb
-rc_2pass_vbr_minsection_pct
-@code{(minrate * 100 / vb)}
-
-@item minrate, maxrate, vb
-@code{VPX_CBR}
-@code{(minrate == maxrate == vb)}
-
-@item crf
-@code{VPX_CQ}, @code{VP8E_SET_CQ_LEVEL}
-
-@item quality
-@table @option
-@item @var{best}
-@code{VPX_DL_BEST_QUALITY}
-@item @var{good}
-@code{VPX_DL_GOOD_QUALITY}
-@item @var{realtime}
-@code{VPX_DL_REALTIME}
-@end table
-
-@item speed
-@code{VP8E_SET_CPUUSED}
-
-@item nr
-@code{VP8E_SET_NOISE_SENSITIVITY}
-
-@item mb_threshold
-@code{VP8E_SET_STATIC_THRESHOLD}
-
-@item slices
-@code{VP8E_SET_TOKEN_PARTITIONS}
-
-@item max-intra-rate
-@code{VP8E_SET_MAX_INTRA_BITRATE_PCT}
-
-@item force_key_frames
-@code{VPX_EFLAG_FORCE_KF}
-
-@item Alternate reference frame related
-@table @option
-@item vp8flags altref
-@code{VP8E_SET_ENABLEAUTOALTREF}
-@item @var{arnr_max_frames}
-@code{VP8E_SET_ARNR_MAXFRAMES}
-@item @var{arnr_type}
-@code{VP8E_SET_ARNR_TYPE}
-@item @var{arnr_strength}
-@code{VP8E_SET_ARNR_STRENGTH}
-@item @var{rc_lookahead}
-g_lag_in_frames
-@end table
-
-@item vp8flags error_resilient
-g_error_resilient
-
-@end table
-
-For more information about libvpx see:
-@url{http://www.webmproject.org/}
-
-@section libx264
-
-x264 H.264/MPEG-4 AVC encoder wrapper
-
-Requires the presence of the libx264 headers and library during
-configuration. You need to explicitly configure the build with
-@code{--enable-libx264}.
-
-x264 supports an impressive number of features, including 8x8 and 4x4 adaptive
-spatial transform, adaptive B-frame placement, CAVLC/CABAC entropy coding,
-interlacing (MBAFF), lossless mode, psy optimizations for detail retention
-(adaptive quantization, psy-RD, psy-trellis).
-
-The FFmpeg wrapper provides a mapping for most of them using global options
-that match those of the encoders and provides private options for the unique
-encoder options. Additionally an expert override is provided to directly pass
-a list of key=value tuples as accepted by x264_param_parse.
-
-@subsection Option Mapping
-
-The following options are supported by the x264 wrapper, the x264-equivalent
-options follow the FFmpeg ones.
-
-@multitable @columnfractions .2 .2
-@item b @tab bitrate
-FFmpeg @code{b} option is expressed in bits/s, x264 @code{bitrate} in kilobits/s.
-@item bf @tab bframes
-Maximum number of B-frames.
-@item g @tab keyint
-Maximum GOP size.
-@item qmin @tab qpmin
-@item qmax @tab qpmax
-@item qdiff @tab qpstep
-@item qblur @tab qblur
-@item qcomp @tab qcomp
-@item refs @tab ref
-@item sc_threshold @tab scenecut
-@item trellis @tab trellis
-@item nr @tab nr
-Noise reduction.
-@item me_range @tab merange
-@item me_method @tab me
-@item subq @tab subme
-@item b_strategy @tab b-adapt
-@item keyint_min @tab keyint-min
-@item coder @tab cabac
-Set coder to @code{ac} to use CABAC.
-@item cmp @tab chroma-me
-Set to @code{chroma} to use chroma motion estimation.
-@item threads @tab threads
-@item thread_type @tab sliced_threads
-Set to @code{slice} to use sliced threading instead of frame threading.
-@item flags -cgop @tab open-gop
-Set @code{-cgop} to use recovery points to close GOPs.
-@item rc_init_occupancy @tab vbv-init
-Initial buffer occupancy.
-@end multitable
-
-@subsection Private Options
-@table @option
-@item -preset @var{string}
-Set the encoding preset (cf. x264 --fullhelp).
-@item -tune @var{string}
-Tune the encoding params (cf. x264 --fullhelp).
-@item -profile @var{string}
-Set profile restrictions (cf. x264 --fullhelp).
-@item -fastfirstpass @var{integer}
-Use fast settings when encoding first pass.
-@item -crf @var{float}
-Select the quality for constant quality mode.
-@item -crf_max @var{float}
-In CRF mode, prevents VBV from lowering quality beyond this point.
-@item -qp @var{integer}
-Constant quantization parameter rate control method.
-@item -aq-mode @var{integer}
-AQ method
-
-Possible values:
-@table @samp
-@item none
-
-@item variance
-Variance AQ (complexity mask).
-@item autovariance
-Auto-variance AQ (experimental).
-@end table
-@item -aq-strength @var{float}
-AQ strength, reduces blocking and blurring in flat and textured areas.
-@item -psy @var{integer}
-Use psychovisual optimizations.
-@item -psy-rd @var{string}
-Strength of psychovisual optimization, in <psy-rd>:<psy-trellis> format.
-@item -rc-lookahead @var{integer}
-Number of frames to look ahead for frametype and ratecontrol.
-@item -weightb @var{integer}
-Weighted prediction for B-frames.
-@item -weightp @var{integer}
-Weighted prediction analysis method.
-
-Possible values:
-@table @samp
-@item none
-
-@item simple
-
-@item smart
-
-@end table
-@item -ssim @var{integer}
-Calculate and print SSIM stats.
-@item -intra-refresh @var{integer}
-Use Periodic Intra Refresh instead of IDR frames.
-@item -b-bias @var{integer}
-Influences how often B-frames are used.
-@item -b-pyramid @var{integer}
-Keep some B-frames as references.
-
-Possible values:
-@table @samp
-@item none
-
-@item strict
-Strictly hierarchical pyramid.
-@item normal
-Non-strict (not Blu-ray compatible).
-@end table
-@item -mixed-refs @var{integer}
-One reference per partition, as opposed to one reference per macroblock.
-@item -8x8dct @var{integer}
-High profile 8x8 transform.
-@item -fast-pskip @var{integer}
-@item -aud @var{integer}
-Use access unit delimiters.
-@item -mbtree @var{integer}
-Use macroblock tree ratecontrol.
-@item -deblock @var{string}
-Loop filter parameters, in <alpha:beta> form.
-@item -cplxblur @var{float}
-Reduce fluctuations in QP (before curve compression).
-@item -partitions @var{string}
-A comma-separated list of partitions to consider, possible values: p8x8, p4x4, b8x8, i8x8, i4x4, none, all.
-@item -direct-pred @var{integer}
-Direct MV prediction mode
-
-Possible values:
-@table @samp
-@item none
-
-@item spatial
-
-@item temporal
-
-@item auto
-
-@end table
-@item -slice-max-size @var{integer}
-Limit the size of each slice in bytes.
-@item -stats @var{string}
-Filename for 2 pass stats.
-@item -nal-hrd @var{integer}
-Signal HRD information (requires vbv-bufsize; cbr not allowed in .mp4).
-
-Possible values:
-@table @samp
-@item none
-
-@item vbr
-
-@item cbr
-
-@end table
-
-@item x264opts @var{options}
-Allow to set any x264 option, see @code{x264 --fullhelp} for a list.
-
-@var{options} is a list of @var{key}=@var{value} couples separated by
-":". In @var{filter} and @var{psy-rd} options that use ":" as a separator
-themselves, use "," instead. They accept it as well since long ago but this
-is kept undocumented for some reason.
-
-For example to specify libx264 encoding options with @command{ffmpeg}:
-@example
-ffmpeg -i foo.mpg -vcodec libx264 -x264opts keyint=123:min-keyint=20 -an out.mkv
-@end example
-
-For more information about libx264 and the supported options see:
-@url{http://www.videolan.org/developers/x264.html}
-
-@item -x264-params @var{string}
-Override the x264 configuration using a :-separated list of key=value parameters.
-@example
--x264-params level=30:bframes=0:weightp=0:cabac=0:ref=1:vbv-maxrate=768:vbv-bufsize=2000:analyse=all:me=umh:no-fast-pskip=1:subq=6:8x8dct=0:trellis=0
-@end example
-@end table
-
-Encoding avpresets for common usages are provided so they can be used with the
-general presets system (e.g. passing the @code{-pre} option).
-
-@c man end VIDEO ENCODERS